"The Tactile Eye" expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile - a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the s...(展开全部)

The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropolog...(展开全部)

"The Tactile Eye" expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile - a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the s...(展开全部)

3月に高校を卒業し、新たな一歩を踏み出す堀北真希。 そんな彼女が高校生活最後の夏に撮影した映画「アルゼンチンババア」の撮影現 場に密着!　その全てを収録したビジュアルBOOKが完成しました。 映画撮影の合間にロケ地で撮り下ろしたオリジナルカットに加え、現場のオン& オフショットもたっぷり収録。役と向き合う真剣なまなざしや休憩中の笑顔、そ して草原や海辺の街で魅せるのびやかな表情・・・彼女が放つ多彩な魅力をカメ ラが捉えています。 また、本書には彼女自身が現場で綴った日記や自ら撮った写真を掲載。彼女が現 場で感じたことが伝わる仕上がりとなっています。 堀北真希の2006年夏をパッケージしたこのビジュアルBOOKで、彼女の新たな魅力 を発見してください。

Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dom...(展开全部)